Category Archives: Electronic

MVP: Mavis Victory Project are Putting a Dark Spin on Things, For the Better

Mavis Victory Parade or MVP for short, are leading the way in the UK’s dark electronic styled indie pop, and they’re doing it no question’s asked!

Now, think of all the bands that are brothers or sisters. I bet all the artists or acts you come up with don’t have anything on MVP, whose near record breaking 4 sibling group, with the inclusion of childhood friend are ready to take their music to the masses, with the recent release of their new track ‘Don’t Go Away’. 

Comprising of Michael (Vocals), Phil (rhythm guitar), Ollie (bass), Chris (Drums) and  Robert Rosser (guitar and keyboard), this 5-piece have taken elements from all different artists to culminate in a soul shaking and bone chilling style that will make you unable to stay away. Much like a great classic horror movie, the concepts and visuals scare you, but make you curious and wanting to see more, MVP, are hard to leave alone.

Be sure to check guys out!






‘Short Sharp Scratch’ from Alt-Grunge to Post Pop!

So, Once you’ve played in a band that is alt-grunge, with a couple of funk styled riffs, where do you go!? Well it wasn’t hard for Jak Chantler to find where his passion would take him next.

Jak Chantler is the lead composer, producer and performer in ‘Short Sharp Scratch’, a funk based, soulful synth pop project that has just released their first track titled ‘Shell suit’. 

This song is an interesting yet superb entry into the local soft synth and Alt-Pop world, but Jak has stated that future releases differ and that they will feature new ideas a creative direction, “the first release is soulful synth pop taking influence from chic and Chaka Chan. However, future releases will be different”. 

Jak grew up in Folkestone, but studied in Guilford. He then formed ‘Kingskin’, who won best Unsigned Artist, awarded by Kerrang. Jak, now has been experimenting with different sounds and has this as a solo project, in which Chantler aims to create era-defying, positive tunes.




Under the Covers With…Mihail Doman

We asked neo-classical genius, Mihail Doman, to imagine a very straight forward scenario: we’ve zipped forward in time to the eve of his fourth album, and his record company insist he makes an album of cover versions. We asked him what he’d choose and why…

Time – Hans Zimmer
This is THE song which inspired my album – epic and dramatic, yet sensitive.

Chevaliers de Sangreal – Hans Zimmer
Part of The Davinci Code Soundtrack – and part of the Soundtrack for my trip to Florence in October ‘16, where so many things changed for me.

Only the Winds – Olafur Arnalds
A song which inspired Part VI (the track with the video) – great production and theme.

Chronologie I – Jean Michel Jarre
A song I’ve listened to a thousand times – it’s like the beginning of spring – joyful and big.

Rendez-vous II – Jean Michel Jarre
One of the most epic and huge songs ever made, period.

See Mihail’s own work here:


Interview with Detroit Techno-Noir Artist, Nej!Las

What attracted you to the techno/electro/house scene?

The ability (and even the requirement) to make, not only harmonic melodies and bass-lines, but to additionally have percussion and drums that could, by themselves, carry a song.  Techno/electro/house pushes the envelope by requiring and allowing for creativity in all areas of a song. It requires one to constantly innovate and come up with new, original, creations and techniques applied to the production.

What is your local music scene like? How do you think you fit in?

The Detroit Techno scene is so prominent; it created its own genre. The Detroit Techno Militia shows the attitude of techno producers that reside in Detroit – independent, proud and original. Detroit allows for producers to have creativity, to not necessarily fit inside the box of what “techno” is supposed to be, but to continuously push the boundaries of the genre. Detroit Techno is innovative. The innovative and original style shines through my music.

You’ve got a huge gig lined up – what would be your dream venue?

An intimate venue where I could feed off of the audiences’ energy and they could be up close and personal to my live production. A symbiotic relationship between me and the crowd.

Tell us about how you go about creating your music, from initial idea to completion

I create two different live sets.

The first live set – the “progressive, melodic set” focuses on the harmonic elements. This set, by itself, would be categorized as “progressive” music. I spend days creating and manipulating analogs, wavetables, and filters in order to find a unique synth sound. I tend to favour an almost guitar-like synth – overdriven and raw. I then, likewise, formulate an “opposite” synth that is sweet and melodic – as if it could lead a progressive/chill-out song. This synth tends to be a string or rubber instrument. I then spend additional days writing, re-writing, and rearranging midi data and appreciations. With all the variations of synths and midi, I usually have enough sounds and tracks to form an entire arrangement. This is the next step, to formulate all the melodies into an arrangement of a harmonic song from an intro to an outro.

The second set – the “techno” set focuses solely on drums and percussion. I likewise arrange a very heavy techno arrangement from an intro to an outro. Hardware, like the Alesis SamplePad 4, is very useful to continue to create original midi data, or even audio samples, for percussion.  I want this second set to be able to stand alone as a song without bass or melodies.

In the end, I combine the two sets, which could, by themselves, be sufficient for a song, into one set that has movement and free flowing segments. I arrange the set to make it play as if I were playing it live. I even record all the modulations and envelopes from a MIDI controller (the AKAI MPC40) as if I were performing it live. This “live performance” of the song becomes the final track.

What would be your ultimate aim in the industry?

To continue to innovate and bring original music into the traditional “techno” genre. I want to create a niche of original, harmonic, progressive, techno songs that play, and sound, like a live set.

Is there anything you would like people to know about your current release?

Songs like “Fini” play like a live set, except it allows one to listen to it anywhere. That is the style of my production – to have harmonic synths that could stand by themselves as a progressive song, but on top of the harmonies, to have percussion and drums that could also be sufficient for a song. The music is “alive”, always changing and morphing into something new and creative.



An interview with electro-pop film scorer Voldo Blanka


How did you get your initial start in music?

I’ve been playing music since I was in diapers, and playing in bands since I had terribly filthy long dyed black hair in jr. high, but it wasn’t till later I knew this would be what I was going to do with my life.

I went to coachella alone in 2007. First time I’d ever been to a festival like that. Rage Against the Machine reunited and I really dug into electronic music. From that day I knew there was ONLY one thing I’d do with my life. And that is to make records and play live.

I had a few projects on the go but the one that broke was my last band Head of the Herd. We were the first band in our country to have a #1 song without a label and that taught me everything I know making the music YOU want to make, and standing by that.


What would be your ultimate aim in the industry?

I love making records, touring, and writing film scores. So every record I make, gig I play, and film I compose for, I’m getting closer to the place I want to be


How long have you been writing your own music?

I reckon I wrote my first song at about 12. A switch flipped in my head and I became OBSESSED with music. I would play till I fell asleep with my guitar in my hands, and spent all day at school talking shit about this band, that band, this instrument, that producer. Since then I’ve never suffered from not knowing what to do with my time. Every moment then went towards being the best artist I could be.


Who are your top three influences and why?

This question is impossible! But a few people have always astounded me with fearlessness and creativity. Nina Simone…my favourite vocalist ever. And I don’t just throw that around. Listen to the live version of “funkier than a mosquito’s tweeter” and you’ll know why.

Tarantino. You don’t need your musical influences to be musicians. It’s about making your own rules and creating what you want to create regardless of all the voices in your ear. You can learn a lot from his take on dialogue.

Josh Homme. Has there ever been a cooler motherfucker than this. Making the darkest, prettiest music I’ve ever heard in my life.

Seriously this question is killing me… Ray Charles, Damon Albarn, Dangermouse, Zeppelin, its endless. Let’s crush a casual dozen beers together and we can really dig in.


Is there anything you would like people to know about your current release?

Making ‘nuns enjoy a madman’ was about creative freedom. About making movie moments and tapping into subtle, and not so subtle, mood manipulation.

I came from a touring rock band that made records all over the world, to shutting the door and locking myself in a dark room to see where I could get with just my imagination and a fuckload of instruments.

It was scary and fun, but more scary than fun. And I like that.


Where are you based and what’s your local scene like? Any favourite venues?

I’m currently based in Vancouver on the West Coast of Canada. The commodore is one of the best rooms I’ve played in my life. Gaddam do I love that place.


Who else can you recommend from your local scene for people to have a listen to?

Plasteroid is a new band from here that are a must listen to. Fucking aces.

Give our readers a round up of where they can find you online and hear more of your music.

Go to to hear the record and sign up for the email list. But first, add Voldo Blanka on fb and Instagram. That’s where I do most of my updates.

You guys are the best, thanks for listening.





Get to know: TONICA

We’ve been in conversation with Manchester based electro-pop band TONICA about their roots in music and their new single ‘Save Yourself’ which is out on August 11th. Get the lowdown here:

How did you get your initial start in music?


We’d both played various instruments from an early age, but the leap from playing for pleasure to planning a career in music came when we decided to move to Manchester. We met in the city and have been writing together ever since. 


What would be your ultimate aim in the industry?


Though I’m sure the industry will change as we progress as a band, I imagine our aim will always be the same – to have our music heard by more people. Whether it’s through a major label, an independent or some kind of self-release, I hope we continue to grow and gain more support with each record.  


How long have you been writing your own music?


We’ve been writing together for just under a year; though most of the TONICA material was done in early 2017 – I feel like we’re just hitting our stride.


Who are your top three influences and why?


Speaking specifically about the influences for this band, I’d say…


The Weekend – On both a song-writing and production level. The sonic of his tracks perfectly compliments the subject matter, I believe he’s at a commercial & creative peak right now.


Honne – They’re a throughly modern band yet their music feels classic, it’s like future-soul. I think we referenced them a few times over the last year, especially when recording/producing my voice. The vocal sounds on Honne’s first album are incredibly rich and satisfying. 


Miike Snow – I feel like MS are overlooked. Some of their music is incredible, particularly on the last album. I believe they work as a writing team for numerous pop-acts too. I like that you can hear that mainstream pop influence in the structure and arrangements – it’s definitely something we’re mindful of too. 


Is there anything you would like people to know about your current release?


The track is called ’Save Yourself’ and it comes out on 11th August. I think the most important thing to know is that it’s our first release. We’ve been waiting to get this record out for a couple of months now and we’re excited to see what the reaction is. It was mixed by Lewis Gardiner (formally of Prides) and mastered by Chris Gerhinger (Drake, 1975). It was an honour to have them work on our debut and I hope the song gets the recognition we feel it deserves. 


Where are you based and what’s your local scene like? Any favourite venues?


We’re currently based in the centre of Manchester. There’s hundreds of great venues in the city, but if I had to name just a few I’d say – Deaf Institute (Oxford Road), Albert Hall (Peter Street) and the Night & Day Cafe (Oldham Street, NQ). 


Who else can you recommend from your local scene for people to have a listen to?


I went to see a friend’s band called Big Society the other night, check them out. 


Give our readers a round up of where they can find you online and hear more of your music.

Get to know: Feline and Strange

Know Me Better were recently in conversation with Feline Lang, one half of Berlin based electro-wave cabaret act,  Feline and Strange, who are ready to unleash their out-there sounds to the world.

How did you get your initial start in music?

I was born into it… seriously. My parents are classical musicians, I was bred in a womb that supported a concert harp, played with bricks under a grand piano, and started to learn the violin within 4 years. Thus I am sorry to say that it is beyond even my abilities to remember the initial moment!


What would be your ultimate aim in the industry?

I want to become a household name and fill the biggest arenas in the world, and have my music sent on the next gold disc that goes out into the universe to represent humanity – who doesn’t? Anything below that wouldn´t justify a musician´s life which is serious shit most of the time. But then there´s these magic moments when you play for hundred, fifty, maybe just  two people, and you REALLY touch them, and you know that´s why you do this. Happens rather frequently to me lately.


How long have you been writing your own music?

I have been writing the odd song or arrangement since school days, but it all became really serious in 2009 after learning my tools through arranging operas for pop and folk bands with my own troupe.


Who are your top three influences and why?

Do I really have to choose from a world full of music? OK, first three that pop to my mind. Mozart, because he wrote music everyone can enjoy but few can understand. Depeche Mode, because their top defined sound is what defines pop music for me, and they proved like no one else that you can be epic without an orchestra. Nina Hagen, because she, in turn, proved that you can be a punk on any instrument and in any language.


Is there anything you would like people to know about your current release?

I wrote this album in only 2 weeks, away from home, while Germany was turning upside down, from welcoming refugees with soft toys and water bottles at train stations, to burning down camps and marching against the government who let people seek help. I watched the news, and didn´t find any ways to help. So I wrote the album and made it, together with the now-released CD artwork, a pathetic glimpse into the feeling of suddenly losing your home, your right to survive, without warning, or alternative. What happens when you are evicted from planet Earth? And somebody you never met decides over your fate? The album tries to put you into this perspective. But it´s just a game. A play.


Where are you based and what’s your local scene like? Any favourite venues?

We´re from Berlin! Well, we´re extraterrestrials obviously, but I guess most of Berlin´s inhabitants are. I like ballroom dancing a lot, especially Sing, and Tango, and I love swimming, so my favourite location is a tiny lake in the city, the Weissensee, where in summer balls are held at the shore, sometimes with live performances – we played there too – and after dancing your heart out, you can jump into the lake and swim, have a cocktail, and feel like a VIP in Monaco. Only dirtier.


Who else can you recommend from your local scene for people to have a listen to?

You should definitely check out The Jackaffair! They do Latin Fun Punk, and support us very often. And I only recently met Les Pleureuses, who are as wacky as we are.


Give our readers a round up of where they can find you online and hear more of your music.

If you want to know all that´s going on, join The Feline&Strange Spaceship Crew on! I spend a lot of time there, and reveal a lot of what´s in my head. Even closer you can get if you become a patron on , of course, getting early access, exclusive releases, and can actually influence my work. When I need help, I call out there, and listen! But the best first steps into the Feline and Strange universe is, of course, via our webpage And if you are like, leave me in peace with all that stuff, I just want the music – did you know you can stream (and buy for your own price) ALL our music on!


Check out the video for ‘No Life On Mars’ here: